Free Verse 2014 report

This year's Free Verse poetry bookfair was - as always - a success, or so it appeared from the Five Leaves stall, one of 61 groups exhibiting this year. The number of stall holders was up slightly on last year, though I did think the number of attendees was marginally down. There was still a pile of the paperback style free programme left at the end, indicating a smaller take up than expected. On the other hand, the number of readings during the day seems to have doubled and the readings carried on well into the evening in a nearby hostelry. The event was also expertly organised by Chrissy Williams and Joey Connolly with, for example, volunteers to cover stalls to allow publishers to wander a little or to support their authors at readings.
What was also interesting was the new appearance of some of the big boys - Faber and Picador - rubbing shoulders with the groundlings. And rub shoulders they have to do as one of the major features of the bookfair is that everyone gets the same space - one table. If TS Eliot was alive today he'd be sitting behind a Faber stall on a cranky plastic seat next to a metaphorical One Person and a Dog Press with five pamphlets to its name. And every publisher putting on a reading gets the same time. Democracy in action. Thanks to Arts Council funding Free Verse can pay travel expenses from out of London presses too, which means that northern publishers can take part without bankrupting themselves.
The Five Leaves stall did better than ever, after a slow start. We only had one new poetry book - our A Modern Don Juan, which people flocked to buy in their ones, but, thanks to our bookshop, we also took poetry stock from non-exhibiting presses which (sigh) attracted more attention and sales than our own.
We were next to a much busier stall, our chums at Happenstance Press, run by the enterprising Helena Nelson, whose new anthology of choc-lit poems was supplemented by free chocolate. A good stall to be next to. Many other "friends of Five Leaves" were around, including Cathy Galvin launching her first poetry pamphlet with Melos Press and Rosie Miles, whose first pamphlet will come from Happenstance next year. Our shop worker Leah was attending her first Free Verse and was interested in reported research showing that only 1% of published poets are Black. At the time we were discussing it, she was one of only two Black people among hundreds in the Conway Hall. As organisers of poetry readings that gave us some thought, and is a subject we'll be addressing in the New Year.
Leah got to readings, while I stayed behind the stall, greeting a lot of old friends including a delighted Michael Ezra - delighted, that is, because the People's March for the NHS was rallying in Red Lion Square outside the Free Verse venue. One poor bloke was, I heard, giving his biggest ever poetry reading in the Square when joined by hundreds of marchers, a samba band and a PA with speeches and Billy Bragg. Meh, could the two events not have been merged somehow?
I mentioned before that if we were to price our labour properly - travel time, time behind the stall, preparing and unpacking the stalls, giving readings - everyone would be losing money hand over fist, but that is not important. With luck you go back with fewer books than you came with. From a Bookshop point of view it did look like we were going to make a decent profit on the day - until we found the stock of etruscan books (their choice of lower case), a lot of which was taken for the shop. We'll be back next year.

States round up

As with Lowdham's winter weekend a few postings ago, it is difficult to give an objective review of your own event, but I'll try. The fourth States of Independence took place over the weekend - as mentioned in the last posting. Over 300 attended (we have ways of counting people), with most people staying for most of the day. This was a bit down on past years - though more people stayed for longer. These two points were partly related as in previous years I'd spent a lot of time contacting special interest groups whose members might not have been interested in the whole day, but might have been interested in one particular event so that diverse grouping was not so numerous, and, for no apparent reason, there were fewer students around this year. Return to that aspect next time, I think.
The organising team had a disproportionate number of non-literary issues to deal with in the run up. At one stage I was all for skipping a year but my more realistic colleagues (at the Creative Writing Team at De Montfort) felt we would lose momentum so even if we went for a much smaller event we should keep going. But we still had 24 events, as originally planned, and one more bookstall than previous years. And people did stay longer. Last year one of our last slots had nobody but the speakers but (unless I have yet to hear) nothing was embarrassing this year. The traditional organisers' view of events starts with complete failure, moves up to embarrassing and anything above embarrassing is a great success... And some of our events throughout the day were packed to the gunnels, or if not packed, the right amount of people for a specialist event and some good discussion. At the LGBT writers meeting people said the discussion was particularly intense. Good. And many were a great success.
Stall takings are always interesting, though perhaps mostly to other stall holders. We had difficulties with the stall layout meaning a couple of awkward pinch points stopped people getting round as much as I'd have liked, but the stall with the worst position (Shearsman), who is given a free extra table to make up, had their best year so far. Their display is always attractive and I think the firm knows that the specialist poetry buyers will find them and flash the cash.
This was the first year I've ever gone to one of the events as I'm usually on the info point/Five Leaves stall, but this year was in conversation with Alison Moore, our local Booker shortlisted writer, published by the indie press Salt. That event was packed and Alison is a delight to interview. Five Leaves' Pippa Hennessy ran two sessions on ebooks, one on theory, one on practice. Pippa is now running a lot of these sessions. If I could have left the stall I'd have attended the rather riotous session on literary sex before and after 1963, the novelist Kerry Young's talk, that by an old friend and colleague Sarah Butler on "Ten things I've learnt about literature" (the title echoing the title of her first novel) and Maureen Makki on Sudanese women. Don't be surprised if all of these events are replicated in Lowdham during the summer. Of Five Leaves writers, Rod Madocks talked about his new set of short stories on mental health and Ian Parks (who is editing a book for us on Yorkshire poetry) gave a well-attended talk on Chartist poetry.
States also saw the announcement of the shortlist for the East Midlands Book Award. Two States organisers, Kathy Bell and I, are Trustees of EMBA, but the astonishing part of the announcement was that two of the other States organisers, Will Buckingham and Jonathan Taylor, were among the shortlisted writers and Alison Moore was one of our guest speakers on the day. Will and Jonathan even share an office at De Montfort. I'll post later on EMBA, but this year Leicester was particularly well represented on the shortlist of seven. When States was chosen for the announcement none of us knew who was on the shortlist or where they came from.
I should also mention that the day was supported financially by Creative Leicestershire. This enabled us to pay some people's travel from further away and reduce Five Leaves's financial subsidy to the event.
I also want to thank Cathy Galvin who stepped in at no notice to run the short story session with Charles Boyle after Ra Page from Comma Press had to drop out following a bereavement. We have not seen the last of Cathy around the East Midlands I think.
And special thanks to Simon Perril from DMU who, this year, was in charge of logistics, tech and DMU matters, and those students who helped with tables and with chairing.
Finally... it was a book festival... My purchases from other stalls were A Vanished Hand: my autograph album Anthony Rudoph (Shearsman), Ten Things I've Learnt about Love by Sarah Butler (Picador) and Getting the Coal: impressions of a twentieth century mining community edited by Jeane Carswell and Tracey Roberts (Mantle Oral History Project)