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Saturday, 30 March 2013
Beeston Poets spring season
Thursday, 28 March 2013
Why was this journey to London different from all others?
Anyone who has been to a Pesach/Passover will recognise this mangling of one of the "four questions" asked at the seder/Passover meal. This year I spent the second night of Passover at the London Jewish Socialists' Group seder organised largely by one of our writers, David Rosenberg, and his partner, Julia Bard (who contributed to our book on Jewish motherhood) and tied in a couple of side trips to some older Jewish socialist friends also associated with Five Leaves, and the Group for that matter.
First call was Esther Brunstein, the widow of the painter Stanislaw Brunstein whose paintings of pre-war Poland we published in 1999. The Vanished Shtetl is unfortunately out of print now. Esther was a member of SKIF, the pre-war socialist organisation for young people, affiliated to the Bund, whose idea inform the JSG's policies today. Esther was in Lodz ghetto and survived Auschwitz. On her arrival in Sweden, after a time in a Displaced Persons camp she was in touch with the American Jewish Labor Committee. Her request to them was not for clothes or money but to ask if they could shikt bicher - send books. Not surprisingly, she is still surrounded by bicher and some of the paintings that appeared in her husband's book.
At the seder itself, during the cultural contributions and readings, one person read Bernard Kops' best-known poem, Whitechapel Library - Aldgate East (which appears in our Bernard Kops' East End). The poem includes the lines: "And Rosenberg also came to get out of the cold / To write poems of fire, but he never grew old". The Rosenberg in question was of course the poet and painter Isaac Rosenberg... no relation to our Dave Rosenberg, but his first cousin was there, the veteran socialist Chanie Rosenberg, aged ninety. Chanie sketched the life of her cousin, who rose out of East End Jewish poverty but whose life was cut short during WWI. I knew of Chanie but it never occurred to me that she could have been a cousin of someone whose poetry has meant so much, and of course was written so long ago.
The day after the seder I visited William - Bill - and Doris Fishman (pictured). Bill is 92 now, Doris 91. He is rather proud that his last guided tour of the Jewish East End was only five years ago, but frustrated that he can no longer get out and about. Bill and Doris also rose out of East End poverty. Bill is still amused that a "Yiddisher boy" from the East End became a visiting professor at Balliol. I must have bought his book The Streets of East London soon after first publication in 1979, but in the mid-2000s Five Leaves took over publication of Bill's books from Duckworth, publishing Streets..., East End Jewish Radicals 1875-1915 and East End 1888. Later we republished his first book, The Insurrectionists. They still sell, steadily, and are still borrowed from libraries. Bill was pleased that he'd had a good Public Lending Right payment recently - not for the money but because it showed his books are still being used.
It is no co-incidence that the organiser of East End radical walking tours now is... David Rosenberg, which comes in handy for sales of our Battle for the East End: Jewish responses to fascism in the 1930s, by Dave. Now that the walking season is at least in the offing you might want to check out www.eastendwalks.com.
First call was Esther Brunstein, the widow of the painter Stanislaw Brunstein whose paintings of pre-war Poland we published in 1999. The Vanished Shtetl is unfortunately out of print now. Esther was a member of SKIF, the pre-war socialist organisation for young people, affiliated to the Bund, whose idea inform the JSG's policies today. Esther was in Lodz ghetto and survived Auschwitz. On her arrival in Sweden, after a time in a Displaced Persons camp she was in touch with the American Jewish Labor Committee. Her request to them was not for clothes or money but to ask if they could shikt bicher - send books. Not surprisingly, she is still surrounded by bicher and some of the paintings that appeared in her husband's book.
At the seder itself, during the cultural contributions and readings, one person read Bernard Kops' best-known poem, Whitechapel Library - Aldgate East (which appears in our Bernard Kops' East End). The poem includes the lines: "And Rosenberg also came to get out of the cold / To write poems of fire, but he never grew old". The Rosenberg in question was of course the poet and painter Isaac Rosenberg... no relation to our Dave Rosenberg, but his first cousin was there, the veteran socialist Chanie Rosenberg, aged ninety. Chanie sketched the life of her cousin, who rose out of East End Jewish poverty but whose life was cut short during WWI. I knew of Chanie but it never occurred to me that she could have been a cousin of someone whose poetry has meant so much, and of course was written so long ago.
The day after the seder I visited William - Bill - and Doris Fishman (pictured). Bill is 92 now, Doris 91. He is rather proud that his last guided tour of the Jewish East End was only five years ago, but frustrated that he can no longer get out and about. Bill and Doris also rose out of East End poverty. Bill is still amused that a "Yiddisher boy" from the East End became a visiting professor at Balliol. I must have bought his book The Streets of East London soon after first publication in 1979, but in the mid-2000s Five Leaves took over publication of Bill's books from Duckworth, publishing Streets..., East End Jewish Radicals 1875-1915 and East End 1888. Later we republished his first book, The Insurrectionists. They still sell, steadily, and are still borrowed from libraries. Bill was pleased that he'd had a good Public Lending Right payment recently - not for the money but because it showed his books are still being used.
It is no co-incidence that the organiser of East End radical walking tours now is... David Rosenberg, which comes in handy for sales of our Battle for the East End: Jewish responses to fascism in the 1930s, by Dave. Now that the walking season is at least in the offing you might want to check out www.eastendwalks.com.
Monday, 25 March 2013
Saturday, 23 March 2013
Thursday, 21 March 2013
Sunday, 17 March 2013
States round up
As with Lowdham's winter weekend a few postings ago, it is difficult to give an objective review of your own event, but I'll try. The fourth States of Independence took place over the weekend - as mentioned in the last posting. Over 300 attended (we have ways of counting people), with most people staying for most of the day. This was a bit down on past years - though more people stayed for longer. These two points were partly related as in previous years I'd spent a lot of time contacting special interest groups whose members might not have been interested in the whole day, but might have been interested in one particular event so that diverse grouping was not so numerous, and, for no apparent reason, there were fewer students around this year. Return to that aspect next time, I think.
The organising team had a disproportionate number of non-literary issues to deal with in the run up. At one stage I was all for skipping a year but my more realistic colleagues (at the Creative Writing Team at De Montfort) felt we would lose momentum so even if we went for a much smaller event we should keep going. But we still had 24 events, as originally planned, and one more bookstall than previous years. And people did stay longer. Last year one of our last slots had nobody but the speakers but (unless I have yet to hear) nothing was embarrassing this year. The traditional organisers' view of events starts with complete failure, moves up to embarrassing and anything above embarrassing is a great success... And some of our events throughout the day were packed to the gunnels, or if not packed, the right amount of people for a specialist event and some good discussion. At the LGBT writers meeting people said the discussion was particularly intense. Good. And many were a great success.
Stall takings are always interesting, though perhaps mostly to other stall holders. We had difficulties with the stall layout meaning a couple of awkward pinch points stopped people getting round as much as I'd have liked, but the stall with the worst position (Shearsman), who is given a free extra table to make up, had their best year so far. Their display is always attractive and I think the firm knows that the specialist poetry buyers will find them and flash the cash.
This was the first year I've ever gone to one of the events as I'm usually on the info point/Five Leaves stall, but this year was in conversation with Alison Moore, our local Booker shortlisted writer, published by the indie press Salt. That event was packed and Alison is a delight to interview. Five Leaves' Pippa Hennessy ran two sessions on ebooks, one on theory, one on practice. Pippa is now running a lot of these sessions. If I could have left the stall I'd have attended the rather riotous session on literary sex before and after 1963, the novelist Kerry Young's talk, that by an old friend and colleague Sarah Butler on "Ten things I've learnt about literature" (the title echoing the title of her first novel) and Maureen Makki on Sudanese women. Don't be surprised if all of these events are replicated in Lowdham during the summer. Of Five Leaves writers, Rod Madocks talked about his new set of short stories on mental health and Ian Parks (who is editing a book for us on Yorkshire poetry) gave a well-attended talk on Chartist poetry.
States also saw the announcement of the shortlist for the East Midlands Book Award. Two States organisers, Kathy Bell and I, are Trustees of EMBA, but the astonishing part of the announcement was that two of the other States organisers, Will Buckingham and Jonathan Taylor, were among the shortlisted writers and Alison Moore was one of our guest speakers on the day. Will and Jonathan even share an office at De Montfort. I'll post later on EMBA, but this year Leicester was particularly well represented on the shortlist of seven. When States was chosen for the announcement none of us knew who was on the shortlist or where they came from.
I should also mention that the day was supported financially by Creative Leicestershire. This enabled us to pay some people's travel from further away and reduce Five Leaves's financial subsidy to the event.
I also want to thank Cathy Galvin who stepped in at no notice to run the short story session with Charles Boyle after Ra Page from Comma Press had to drop out following a bereavement. We have not seen the last of Cathy around the East Midlands I think.
And special thanks to Simon Perril from DMU who, this year, was in charge of logistics, tech and DMU matters, and those students who helped with tables and with chairing.
Finally... it was a book festival... My purchases from other stalls were A Vanished Hand: my autograph album Anthony Rudoph (Shearsman), Ten Things I've Learnt about Love by Sarah Butler (Picador) and Getting the Coal: impressions of a twentieth century mining community edited by Jeane Carswell and Tracey Roberts (Mantle Oral History Project)
The organising team had a disproportionate number of non-literary issues to deal with in the run up. At one stage I was all for skipping a year but my more realistic colleagues (at the Creative Writing Team at De Montfort) felt we would lose momentum so even if we went for a much smaller event we should keep going. But we still had 24 events, as originally planned, and one more bookstall than previous years. And people did stay longer. Last year one of our last slots had nobody but the speakers but (unless I have yet to hear) nothing was embarrassing this year. The traditional organisers' view of events starts with complete failure, moves up to embarrassing and anything above embarrassing is a great success... And some of our events throughout the day were packed to the gunnels, or if not packed, the right amount of people for a specialist event and some good discussion. At the LGBT writers meeting people said the discussion was particularly intense. Good. And many were a great success.
Stall takings are always interesting, though perhaps mostly to other stall holders. We had difficulties with the stall layout meaning a couple of awkward pinch points stopped people getting round as much as I'd have liked, but the stall with the worst position (Shearsman), who is given a free extra table to make up, had their best year so far. Their display is always attractive and I think the firm knows that the specialist poetry buyers will find them and flash the cash.
This was the first year I've ever gone to one of the events as I'm usually on the info point/Five Leaves stall, but this year was in conversation with Alison Moore, our local Booker shortlisted writer, published by the indie press Salt. That event was packed and Alison is a delight to interview. Five Leaves' Pippa Hennessy ran two sessions on ebooks, one on theory, one on practice. Pippa is now running a lot of these sessions. If I could have left the stall I'd have attended the rather riotous session on literary sex before and after 1963, the novelist Kerry Young's talk, that by an old friend and colleague Sarah Butler on "Ten things I've learnt about literature" (the title echoing the title of her first novel) and Maureen Makki on Sudanese women. Don't be surprised if all of these events are replicated in Lowdham during the summer. Of Five Leaves writers, Rod Madocks talked about his new set of short stories on mental health and Ian Parks (who is editing a book for us on Yorkshire poetry) gave a well-attended talk on Chartist poetry.
States also saw the announcement of the shortlist for the East Midlands Book Award. Two States organisers, Kathy Bell and I, are Trustees of EMBA, but the astonishing part of the announcement was that two of the other States organisers, Will Buckingham and Jonathan Taylor, were among the shortlisted writers and Alison Moore was one of our guest speakers on the day. Will and Jonathan even share an office at De Montfort. I'll post later on EMBA, but this year Leicester was particularly well represented on the shortlist of seven. When States was chosen for the announcement none of us knew who was on the shortlist or where they came from.
I should also mention that the day was supported financially by Creative Leicestershire. This enabled us to pay some people's travel from further away and reduce Five Leaves's financial subsidy to the event.
I also want to thank Cathy Galvin who stepped in at no notice to run the short story session with Charles Boyle after Ra Page from Comma Press had to drop out following a bereavement. We have not seen the last of Cathy around the East Midlands I think.
And special thanks to Simon Perril from DMU who, this year, was in charge of logistics, tech and DMU matters, and those students who helped with tables and with chairing.
Finally... it was a book festival... My purchases from other stalls were A Vanished Hand: my autograph album Anthony Rudoph (Shearsman), Ten Things I've Learnt about Love by Sarah Butler (Picador) and Getting the Coal: impressions of a twentieth century mining community edited by Jeane Carswell and Tracey Roberts (Mantle Oral History Project)
Tuesday, 12 March 2013
Man with white shirt talks to someone who is clearly very interested...
Indie book fair to host awards announcement

Authors shortlisted for the East Midlands Book Award will be giving readings at a free independent literary festival which returns to Leicester this weekend.
It will be the first time the States of Independence book fair at De Montfort University (DMU) will host the announcement of the shortlist for the awards.
The festival programme on Saturday will also see star authors offering guidance to creative writers, talks on Chartist poetry, the lives of Sudanese women and unexplained phenomena, a discussion of lesbian, gay, bisexual, and transgender writing, performances of short plays and even a recital of Bulgarian guitar music.
“States of Independence is a one day carnival of the feisty, the wayward, the unclassifiable, and the wilfully strange,” said Will Buckingham, DMU lecturer, philosopher, novelist and author of popular children’s picture-book, The Snorgh and the Sailor.
Admission will be free to the book fair, described as “a literary festival in a day,” which will be in the university's Clephan Building in Bonners Lane, off Oxford Street, from 10.30am to 4.30pm and will feature guest writers and publishers from the East Midlands and beyond.
Star guests will include Nottingham-based Alison Moore, whose first novel,The Lighthouse, was short-listed for last year's Booker Prize and Sarah Butler whose Ten Things I've Learnt About Love has created a stir in the publishing world.
The States of Independence festival will feature workshops, readings, panels, seminars, book launches, and regional writers of fiction, non-fiction, poetry, plays, artist books, magazines and journals.
Seventy writers, mostly from the East Midlands, will be reading from their work, and visitors will be able to learn everything they need to know about eBooks and comics.
Sessions at the festival will cater for readers and writers with a huge range of interests. One panel will be offering advice on setting up and marketing a small press and there will be two sessions offering advice on e-publishing.
Meanwhile the foyer and corridors will host nearly 40 stalls showcasing the best in indie publishing from the region and beyond.
The event is co-hosted by Five Leaves Publications from Nottingham and De Montfort University's Creative Writing team, with sponsorship from Creative Leicestershire.
“States of Independence is a splash of colour against the gray background of corporate publishing,” said Dr Simon Perril, DMU Subject Leader for Creative Writing and poet, author of Newton’s Splinter, Nitrate, and the forthcomingArchilochus on the Moon.
“It sets out to celebrate the abundance of independent creative energies within the region by putting on a day of events of impressive variety. Where else will you find debates about the e-book, talks on comics, discussions of unexplained phenomena, and readings of short stories about mental health in the same day!
“The East Midlands Book Award is open to any published books of fiction, poetry and creative non-fiction written in the preceding year by authors living in the East Midlands. So come to States and you not only get to hear who is nominated, you also get to buy their books before anyone else!
“Come along and find a range of fascinating titles you simply won’t find in high street chains bloated with celebrity autobiographies.”
Visitors will be welcome to pop in or to stay all day. The full programme is at www.statesofindependence.co.uk
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