Romans again

Though Sainsbury's were out of dormice and garum sauce (you know the stuff, made from rotting fish) we successfully launched Roman Nottinghamshire at Nottingham University's nice little museum (www.nottingham.ac.uk/museum) which most people had not heard of, including some who had studied at the University. The good news is that the museum is moving to bigger and more public premises in the next year and a half and it might even have a retail facility. I'll vote for that. Residents of Southwell were there in numbers, not least supporters of the Save Roman Southwell campaign who think that the important remains recently discovered in the town would be best exploited other than by building more exceedingly expensive houses on top of them. The people vs. the developers again.

Many of the Roman exhibits on display at the museum turn up in the book, as do finds in several other local museums. There may not be much currently to see on the surface of Nottinghamshire from Roman times but there are beautiful objects of art, coin hoards, domestic equipment and rather a lot of pottery. The author, Mark Patterson, confessed a weariness about the pottery and wished that his 90,000 word book could have been longer if he had been allowed more space to talk about the interesting characters who spent so much of their lives digging up Roman Nottinghamshire, and, so often, completely misinterpreting what they found. He was at pains to say his book was a journalist's account of Roman Nottinghamshire not an archaeologist's account. What we wanted in other words. We wish he had more time on his hands so he could do Roman Derbyshire, Roman Leicestershire and gradually work his way to retirement and a shelf of books as good as his Nottinghamshire one. We are currently working with Mark to create a Roman Nottinghamshire website.

The Streets of East London

This book was first published by Duckworth in 1979 and I must have bought what is now a very battered copy around then. A less battered copy by the same publisher shows that the book ran to nine impressions by 2000. Our 2006 edition has just been reprinted for the second or third time and is available here: http://www.inpressbooks.co.uk/the_streets_of_east_london_william_j_fishman_i017692.aspx When I first read Bill Fishman's book I was attracted by the fine archival photographs, contemporary photographs by Nicholas Breach and the wonderful essays by the author on poverty, philanthropy, immigrants, crime and radicals, especially radicals. I mentioned in a previous blog (4th of this month) that Bill Fishman is now ninety. At the afternoon tea in celebration at his old haunt of Queen Mary's on Mile End Road Professor Morag Shiach said: "Bill Fishman was appointed Barnet Shine Senior Research Fellow in the early 1970s. He had already established himself as a labour historian, having written his book The Insurrectionists [paperbacked a year back by Five Leaves] during the period of his Schoolmaster Fellowship at Balliol. Upon arrival at Queen Mary he was able to develop his specialisation in East End history. His scholarship, which was manifest in his prize-winning book, East End Jewish Radicals [yup, Five Leaves] and in his later volumes such as East End 1888 [that too] promoted the College as a place to which those who wished to learn about the East End could turn.
Bill's expertise in the filed of East London social and political history drew students from all over the world, but most particularly from America, where Bill had been a visiting professor in the late 1960s. Bill has always enriched the lives of his students, researchers and other academics with his walks around the East End, enhancing the drier elements of historical data with amusing and revealing political and social anecdotes. Bill retired as a full time academic in 1986, leaving a legacy that has encouraged those who have come after. The template Bill laid down at Queen Mary for researching and reporting on the East End and its people has ensured that the College remains at the centre of academic work on the immigrant population of East London and beyond and has been able to sustain and develop its commitment to the study of migration more broadly."
Then we had cake.

The mouse that roared

Everyone who reads the quality press or who knows anything about bookselling will know that Waterstone's, like Chelsea football club, is now owned by the Russkies, and that James Daunt, the owner of an existing six-strong chain of high quality London bookshops has been appointed the CEO of the much bigger chain. He promises to rebuild Waterstone's as a stockholding bookshop - they have been "buying nothing" as some of their staff have said recently - and to build the 296 bookshops as "local bookshops" tailored to local needs. I won't rehash all the coverage. Everyone in publishing has welcomed the change, as has virtually everyone who works for the chain. Meanwhile we wait to see how much money the new owner will put into the business, which Daunt will now review. Previously industry insiders all seemed to agree that whoever took on the chain would have to close about 100 branches. Whether that is true or not is another matter but industry insiders have to say more than "dunno" when asked for comments by the press. Certainly James Daunt has indicated no desire to slash and burn.
BUT - just prior to the sale - the Bookseller reported Waterstone's as wanting to move their standard discount from small independent publishers from 45% to 53%. This would seem to fly in the face of Daunt's plans to have interesting, locally relevant shops if the chain prices independents out. Put crudely, we, and many others could not afford to give Waterstone's 53% discount. The implications of that are obvious.
The £53 million paid, however, divided by the number of shops (296) gives an average value of each shop as £179, 054 each, including stock, fixtures and fittings, the trading name and goodwill. £53 million does seem like a lot of money, but break it down this way and it is obvious that there is little current value in the firm. We wish James Daunt luck.

Ida Kar exhibition

"Ida Kar: Bohemian Photographer, 1908-1974", an exhibition showing at the National Portrait Gallery until 19 June, is well worth visiting (www.npg.org.uk/kar). Kar's portraits are primarily of painters (including, for example, Man Ray) and writers (the young Iris Murdoch, for example) but some of her pictures from Armenia - where she was born - Cuba and elsewhere are included, together with some memorabilia. Five Leaves' interest is in her photographs of Bernard Kops, Terry Taylor and Laura Del-Rivo, pictured here, as well as others in their circle including Colin MacInnes. Kops has long been a Five Leaves' writer (and is the model for Mannie Katz in MacInnes' Absolute Beginners) while Terry Taylor's only book, Baron's Court, All Change, resurfaces on our New London Editions list later this year. Taylor, whose life MacInnes drew on in his fiction, appears twice in Kar's exhibition. In one he is shown as her assistant, in the background, in another solo portrait he appears listening to jazz records on what looks like a Dansette. The NPG holds many other portraits of Taylor, many showing him getting happily wrecked on what was in that era called "charge". Laura Del-Rivo's first novel, The Furnished Room, comes out later this year as well, also in New London Editions. It would have been nice to have had them around during Kar's exhibition. Both Taylor's and Del-Rivo's books included Kar's portraits on first publication, as they will in ours in November.

The Baron and the Bats

Michael Baron is living proof that as you get older you (can) get better, or at least a lot more artistically productive. Michael edited two books for Five Leaves, On a Bat's Wing and, with Andy Croft and Jenny Swann, The Night Shift - two poetry anthologies about bats, and about the world of night, Michael contributing the section on the world of nature by night. Since then he's brought out a small collection of his own, put up poetry posters all over Cockermouth as part of the campaign to reinvigorate the town after its flood last year, and edited a big collection of poems by writers - more than you would think - associated with the place. He is currently also working on a long term project bringing poetry by Israeli and Palestinian poets together. All this, and more, come well into his retirement after 40 years in the law. All power to him. More details here: http://www.listenupnorth.com/writer-profile/253.
Michael and I launched the bat book some time ago at the AGM of the Bat Conservation Trust. I live in the world of literature and politics so was expecting to be met by badly-dressed obsessives, something like the worlds I know. Far from it, the majority attending were much younger than me, more female, worked in architecture, planning and science and certainly the females happily chatted at the break about what they were going to wear at the social that night. Then they went into their workshops to discuss bat "commuter routes" and what you can learn from studying the contents of bat poo. Hurrah! They were eccentrics after all. Michael donated his royalties for the book to the BCT. Good for him. You can order it here: http://www.inpressbooks.co.uk/on_a_bats_wing_poems_about_bats_baron_michael_editor_i019207.aspx

Looking ahead to the Battle of Cable Street weekend

Things are moving on for the Battle of Cable Street anniversary, celebrating 75 years of the day in 1936 when the whole East End rose up to stop Mosley's fascists marching through the area. The weekend starts with a 75th anniversary gala evening commemorating the Spanish Civil War on October 1st, with a poetry reading by Jackie Kay and a performance of Call Me Robson. This is at the New Red Lion Theatre Pub. Tickets are already available from http://www.philosophyfootball.com/ (click on the events button).

On October 2nd the focus is entirely on the Battle of Cable Street, with events running from noon until 10pm at Wilton's Music Hall on Graces Alley in the East End. Here's a view of Wilton's http://www.sphericalimages.com/wiltonsmusichall/index.html There will be stalls during the day, with music by Lost Marbles and street theatre by La Columna. At 1.00pm the forty-strong Grand Union Youth Orchestra perform. At 3.00pm Five Leaves host a reception and book launch for our five Cable Street books - The Battle of Cable Street by the Cable Street Group; Everything Happens on Cable Street by Roger Mills; The Battle for the East End: Jewish responses to fascism in the 1930s by David Rosenberg; October Day by Frank Griffin; Street of Tall People by Alan Gibbons. At 4.00pm we host a panel discussion on the literature of the 1930s with Andy Croft, Mary Joannou and Ken Worpole.

The evening events start at 6.pm with a variety show They Shall Not Pass with poets, singers, choirs and comics including Michael Rosen, Leon Rosselson and Sandra Kerr. And there is more to come - on Tuesday 4 October the film From Cable Street to Brick Lane will be previewed and on Wednesday 6 October there will be a Five Leaves event at Housmans Bookshop, with Dave Rosenberg, Roger Mills and others. Dave is also leading a Cable Street walk during the period.

Alternative Arts is co-ordinating all the activities and there will be a commemorative programme. More details soon.

Submissions

Anyone wishing to submit material to publishers would be well advised to check publisher websites for submission policy. It is not often good news, but at least it saves postage and everyone's time. Unfortunately for putative writers Five Leaves has a no submissions policy. We mostly commission our books, we have a responsibility to our existing writers, and in any case we are sorted until 2014. There are reasons - too many writers chasing too few publishers chasing too few bookshops chasing too few readers. But simply saying we don't want submissions doesn't stop people. We receive about 300 submissions a year, despite a public policy of saying no submissions. This week our star supplicant offered a 607 page pdf of his latest poetry book. This follows a recent approach, by the same author, including a pdf of a 1,600 page poetry book. And he wanted a pre-publication advance and guaranteed shelf-space in bookshops worldwide. Please don't ask if the material was any good.