As well as the Colin Wilson film tie-in mentioned in the last posting, we will be publishing a companion volume, The Furnished Room by Laura Del-Rivo, with a new introduction by Colin Wilson. This one is already a film tie-in being made into the now seldom seen West 11 which features Alfred Lynch, Eric Portman and (how rarely she is connected to Five Leaves) Diana Dors, pictured. Laura's book was first published in 1961 and the links to Wilson's book is clear as this too is set in bedsitterdom, this time in Notting Hill and Earls Court. Laura is still running a stall at Portobello Market, which will be a great place to launch the book in due course.I cannot find a poster for West 11, and would be pleased to hear from anyone who has come across a copy. I did toy with illustrating this posting with a picture of West 11's director, but Michael Winner versus Diana Dors...
the Jewish right has for years been banging on about "the new anti-Semitism", where any small sign of concern that Israel might, on balance, from time to time, do the odd minor thing a teeny weeny bit wrong is lumped in with thousands of years of blood libels, forced conversions and pogroms as being anti-Semitic to the core. Ever vigilant, they spend their lives scanning the Guardian, the Independent and the Hamas-supporting BBC for evidence, where such evidence of anti-Semitism can always be found. If you want to find it. Over on the other side is Gilad Atzmon. Atzmon is an Israeli born anti-Zionist, whose views once managed to attract a picket by Jews Against Zionism. Atzmon is the mirror image of the right, where any sign of Jewish politics is a fig-leaf for Zionism. Thus, attacking Mike Gerber, the author of Jazz Jews and a member of the Jewish Socialists' Group, he argues that "Jewish politics is always a form of Zionism" or, because Mike plans to play Israeli musicians on his Jazz Jews radio programme he "manage[s] to endorse Zionist culture". Atzmon goes on to describe Jazz Jews as "one of the most disturbing books in the history of jazz literature". Maybe we'll use that on the cover when we get to paperback time. The good news though is that Atzmon has said it was Gerber writing the book that caused him to invent the satirical character "Artie Fishel" with his Promised Band, so we can now safely say that Jazz Jews influenced jazz history. Here's Atzmon's article (don't forget to wade through the comments): 
