Three Men on the Metro reviewed in Russian

http://stengazeta.net/article.html?article=7147

Small presses versus commercial presses

I'm often, well, occasionally, asked about the difference between small presses and commercial publishers. That is hard to answer, but just as a duck is hard to describe but you know one when you see one, so is a small press. Even though our production values are often higher than big publishers, and even though we often publish the same writers.

But what is the difference? Here's a clue. On my wedding day one of our regular writers, a witness at the wedding, brought along his next manuscript. Indeed, the day after the wedding Five Leaves had a book launch... Another clue. A couple of us from Five Leaves recently met up with a writer we may be publishing at dusk outside Cathcart Jewish cemetery. It felt more like something out of The Sopranos than the Frankfurt Book Fair. Small press and proud of it.

So farewell then, Sphinx

My favourite little press mag, Sphinx, has closed down its print edition, after five years and twelve issues, in part migrating to www.happenstancepress.com. Fittingly, this magazine focusing on the small press world had black endpapers. The last issue includes interviews with editors at Salt, Two Ravens, Candlestick and Templar. Gerry Cambridge from Dark Horse talks about typesetting, Tess Rainsford reports on the lively Scottish poetry pamphlet scene while Eleanor Livingstone discusses the Scottish poetry festival StAnza. There is more, but that should be enough to encourage anyone interested in small presses to order this issue from the website above, and if you are feeling flush to buy some of the back issues. Helena Nelson, one of the few but increasing numbers of women editors in the small press world, deserves congratulations for running something that covers "our" world, and Sphinx is going out with a bumper issue. £3.50 well spent. You may have to fiddle about a bit on their website though, clicking on issue 12 I get 9. But you can manage.

Reading independent

One of the more annoying, but fascinating trends in the book trade is to do something, or do without something, for a year. Write the book, get in the colour supps, and then go back to normal life. Recent examples include having sex every day for a year with your partner, living according to the Bible. I don’t fancy any of them, besides they have been done. The literary version is Susan Hill’s Howard’s End is on the Landing: a year of reading from home, where the author spent a year re-reading from her book collection. I thought of this in January when noting down the first books I read during the year – the first seven were all from indie presses. Right then. No book deals, or colour supps, but this year I’ll only read books from indie presses. For years I’ve banged on about indies, this time I’ll put all my book buying money where my mouth is. There will be sacrifices. Sorry, no, I have not read the new Andrea Levy, and – dammit – I was going to finally read Madam Bovary, but it is published by Penguin. And not just buying new; second hand, library and personal borrowing will only be from indies. So far I can’t say it is a hardship. There have only been two occasions when I struggled to find a book from the right type of publisher. In the WH Smith Carlisle station, the much reduced bookstock indicated that the long journey ahead would include reading every word of the Cumberland and Westmoreland Herald (“Firm’s Haulage Depot Appeal Rejected” looked an interesting story) and a dog-eared solitary New Statesman. Fortunately I remembered that White Tiger, which won the Booker Prize last year was published by Atlantic. The second time, also journey related, was trying to find an indie book in a British Heart Foundation charity shop. Well, the Bedside Guardian of 2008 seemed expensive at £2.50, but needs must. Shame it was an Olympic year but the rest of it was good. There are big indies – Verso, Bloomsbury, Faber, Granta as well as the groundlings, so I’m hardly going to be spoilt for choice. And look, Quercus has the Stieg Larssons. Nae bother. I’ll report back sometime.

Trade secrets

Any readers who regularly take the 45 bus in Nottingham might recognise the two teenagers in the image below for the book Revolution. We'd been struggling for ages to find the right two teenagers. The first couple we photographed were too young, in the second the boy looked wrong for the character in the book... and then on the bus were the ideal couple of teenagers. They were on a local college advert, together with a very sultry female and a boy with a mohican. The subliminal message was come to our college and you could look as cool as this. I rang the college PR department to see if I could get permission to use the image of these two local students, thinking that they might be excited being on a book cover. Local? Nope, bought from an American website of stock images, $29 for six. So, off to the website, wading through stock images suitable for lingerie ads. Hoping nobody would come in to my office... "No, don't worry, I'm not looking at these, I'm, um, looking for teenagers..."

New this month from Five Leaves

Big month at Five Leaves Towers for young adult fiction... Maxine Linnell's Vintage is out, her first novel, a time slip novel set in 1962 and 2010, where two girls unwillingly change places. The Ivy Crown by Gill Vickery is a re-issue, set in pagan times and modern times. Robert Swindells joins our list with a re-issue - another time slip novel - set in Bronte country, with a strong Bronte connection, Follow a Shadow. Finally, Sherry Ashworth joins Five Leaves with a new novel, Revolution, where some school students' protest against their school closure gets a bit out of control. More on http://www.fiveleaves.co.uk/.

Rod Madocks on Left Lion

There's a terrific, long interview with Rod Madocks and No Way to Say Goodbye on the WriteLion podcast below. Rod is interviewed by James Walker and comes in at 47.20

http://www.leftlion.co.uk/audio.cfm/id/86